The Harem Guard by the
Czech painter Rudolf Weisse (1869-1930). Despite it's not a decidedly
history painting the whole oriental exotic setting suggests a far
away place even in history.
With Orientalist art, there was always the question of honesty - could a European painter be allowed into a North African harem to see what was really going on? And what about strong, handsome men?
Weisse seemed to like Cairo and did excellent work a la Ludwig Deutsch and Rudolph Ernst. Thanks for the link
Hels Orientalist art: males in the harem http://melbourneblogger.blogspot.com.au/2009/04/orientalist-art-males-in-harem.html
History painting dates back to the Renaissance and was long considered to be the "grand genre". Nevertheless it has its peak in the 19th century forged by Neoclassicism and Romanticism. There it became the artistic contribution in the process of the construction of National Identities of the European and American nations.
At the same time history painting under the influence of historism pretended to be "realistic", to show history how it has been. Above all it was this pretension that led to the great failure of History painting AND Realism at the end of the century.
When artists and their public realized that telling history always will be subjective and a painting will always be an illusion Realism and history painting lost their ground to modern painting.
With Orientalist art, there was always the question of honesty - could a European painter be allowed into a North African harem to see what was really going on? And what about strong, handsome men?
ReplyDeleteWeisse seemed to like Cairo and did excellent work a la Ludwig Deutsch and Rudolph Ernst. Thanks for the link
Hels
Orientalist art: males in the harem
http://melbourneblogger.blogspot.com.au/2009/04/orientalist-art-males-in-harem.html