Sugary History

The Landing of William Penn by the American history painter Jean Leon Gerome Ferris (1863-1930). There are a lot of nice (schoolbook) details, all the different costumes, the Native Americans, the trapper, the soldier, dutch settlers etc. There is even the year of the landing on the building.
Though it's sugary, too sweet, more like a costume ball.

Well equipped Columbus

Columbus at San Salvador by the American history painter Jean Leon Gerome Ferris (1863-1930). This painting was probably done in the 1920s. Costumes, arms and the backdrop details are much better than on the typical 19th century paintings. But Ferris is already late, he painted in the manner of a bygone epoch. A better decoration didn't make a better painting at this time.

Sugary Past

The First Thanksgiving (c1912) by the American painter Jean Leon Gerome Ferris (1863-1930).

Ferris shows here a scenery very popular in American culture and iconography. In autumn of 1621 the surviving Pilgrims celebrated their successful harvest and invited the Indians who helped them before with food.

The scene is heavily romanticized. The Indians there didn’t wore feathers in their hair, but they look more "Indian" with that. And as savages that are sitting on the floor, which they wouldn’t have done. So it’s despite all the nice colorful details nothing authentic.

(Too) Late History Painting

The Capture of the Pirate Blackbeard by the American painter Jean Leon Gerome Ferris (1863-1930).

How his name indicates Ferris was a great devotee of the French academic painter Jean-Léon Gérôme (1824-1904). And that illustrates the problem. Ferris worked a whole generation later when history painting in the way of Gérôme and his contemporaries has long passed by.

Despite Ferris was a good artist he is missing the cool and clear composition of the neoclassic trained Gérôme. Ferris piled up a lot of nice historical details and came out as an illustrator but without reaching the high level of his great compatriots Howard Pyle, N.C. Wyeth, or Frank Schoonover who discovered new methods for the interpretation of history.