Queen
Elizabeth and the Earl of Leicester (1865) by the British painter
William Frederick Yeames (1835-1918). Yeames preferred
these idyllic scenes from the good old times.
The Harem Guard by the
Czech painter Rudolf Weisse (1869-1930). Despite it's not a decidedly
history painting the whole oriental exotic setting suggests a far
away place even in history.
Queen
Astrid by the American illustrator N.C. Wyeth
(1882–1945). Wyeth did this Wagnerian illustration for the book The
World Of Music - Song Programs for Youth (1938).
Semiramis dying on
Ninu’s grave by the Italian painter Augusto Valli (1867-1945).
Valli depicts here the legendary Babylonian queen dying on her dead
husbands tomb. But it seems also more an excuse to present a nude
female body in an exotic setting.
Lady_Godiva by the
French painter Jules Joseph Lefebvre (1836–1911). As legend tells
Lady Godiva was a 11th century English princess married to Leofric,
the Earl of Mercia and lord of Coventry. She begged her husband to
relieve the townspeople of the oppressive taxes and tolls. He
refused, unless she agree to ride through the town naked on
horseback. Out of respect for their lady, it is said, the townspeople
stayed indoors during her ride.
History painting dates back to the Renaissance and was long considered to be the "grand genre". Nevertheless it has its peak in the 19th century forged by Neoclassicism and Romanticism. There it became the artistic contribution in the process of the construction of National Identities of the European and American nations.
At the same time history painting under the influence of historism pretended to be "realistic", to show history how it has been. Above all it was this pretension that led to the great failure of History painting AND Realism at the end of the century.
When artists and their public realized that telling history always will be subjective and a painting will always be an illusion Realism and history painting lost their ground to modern painting.