Too Late (1884) by the
British painter Herbert Gustave Carmichael Schmalz (1856-1935). A
Greek hero comes back from war but his great love, the princess or
the queen has died. Sweet cheesy drama!
Zenobia’s Last Look
on Palmyra by the British painter Herbert Gustave Carmichael Schmalz
(1856-1935). Zenobia (240 – c. 275) was the
Queen of the Palmyrene Empire in Roman
Syria, who led a famous revolt against the Roman
Empire. She ruled over Egypt until 274, when she
was defeated and taken as a hostage to Rome by Emperor Aurelian.
Where is the lord, my king (1888) by the British painter Herbert Gustave Carmichael Schmalz (1856-1935). Schmalz depicts here a band of celtic warriors returning from a raid where they lost their king. They have to answer to his widow who is effectively waiting with her two children.
Faithful Unto Death - Christianae ad Leones (1897) by the British painter Herbert Gustave Carmichael Schmalz (1856-1935). One of that typical cheesy arena paintings where decorative naked Christians are waiting for the lions. Should be a great horror show but in the end it's all about the beautiful girls exposed to the onlooker – of the painting!
History painting dates back to the Renaissance and was long considered to be the "grand genre". Nevertheless it has its peak in the 19th century forged by Neoclassicism and Romanticism. There it became the artistic contribution in the process of the construction of National Identities of the European and American nations.
At the same time history painting under the influence of historism pretended to be "realistic", to show history how it has been. Above all it was this pretension that led to the great failure of History painting AND Realism at the end of the century.
When artists and their public realized that telling history always will be subjective and a painting will always be an illusion Realism and history painting lost their ground to modern painting.