Moorish Guard in the Alhambra by the Austrian painter Rudolf Ernst (1854-1932). Ernst lived in Paris and was one of the best orientalist painters. Here he combined an orientalist harem guard with a historical scene. But it's all the same, pure exotic fantasy.
A Priestess (1893) by the British painter John William Godward (1861-1922). Godward was a protégé of Sir Lawrence Alma-Tadema and painted this Greek/Roman girls in series. I doubt that a priestess in ancient times went like this, but it was what sold good in the late 19th century.
The little Messenger by the French battle painter Joseph Louis Hippolyte Bellange (1800-1866). Bellange was specialized in the Napoleonic wars and depicted here a more cheesy scene with a brave little boy.
The White Company by the great American illustrator N.C. (Newell Convers) Wyeth (1882–1945). This was the cover for the historical adventure novel by Arthur Conan Doyle which is set during the Hundred Years' War. Maybe it should be mentioned that the real mercenary company with this name never wore white white clothes, the name refered to "white" armour, i.e. plate armour. But anyway Wyeth painted an impressive bunch of cutthroats.
History painting dates back to the Renaissance and was long considered to be the "grand genre". Nevertheless it has its peak in the 19th century forged by Neoclassicism and Romanticism. There it became the artistic contribution in the process of the construction of National Identities of the European and American nations.
At the same time history painting under the influence of historism pretended to be "realistic", to show history how it has been. Above all it was this pretension that led to the great failure of History painting AND Realism at the end of the century.
When artists and their public realized that telling history always will be subjective and a painting will always be an illusion Realism and history painting lost their ground to modern painting.