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Here he shows the Nordic goddess of love and fertility Freya in her cart drawn by cats. Despite that’s not surprising for a Pre-Wagnerian artist, the false historical construction reveals itself by the baroque angels, who have nothing Nordic at all, so it’s much more a kind of post-rococo kitsch.
The cherubs certainly let this painting down and I agree with the description 'post-rococo kitsch'. Very perceptive.
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