One art historian wrote about this painting, that "the painter had played with the blood of the victim as if he were a jeweller toying with rubies." I think, that hits the nail on the head. Regnault was primarily interested in orientalistic and exotic subjects. He was inspired to this painting by old legends during his stay in Spain.
Monday, August 17, 2009
A Moorish Excutioner
Execution Without Hearing Under the Moorish Kings in Granada (1870) by the French painter Henri Regnault (1843-1871).
One art historian wrote about this painting, that "the painter had played with the blood of the victim as if he were a jeweller toying with rubies." I think, that hits the nail on the head. Regnault was primarily interested in orientalistic and exotic subjects. He was inspired to this painting by old legends during his stay in Spain.
One art historian wrote about this painting, that "the painter had played with the blood of the victim as if he were a jeweller toying with rubies." I think, that hits the nail on the head. Regnault was primarily interested in orientalistic and exotic subjects. He was inspired to this painting by old legends during his stay in Spain.
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