With Cortes the
conqueror (1917), by Virginia Watson. The book was illustrated by the
great American artist Frank Earle Schoonover (1877-1972). Schoonover
studied under Howard Pyle.
Too Late (1884) by the
British painter Herbert Gustave Carmichael Schmalz (1856-1935). A
Greek hero comes back from war but his great love, the princess or
the queen has died. Sweet cheesy drama!
The City Gate by the
English painter Ralph Hedley (1848-1913). Headley was a realist
painter, woodcarver and illustrator, best known for his paintings
portraying scenes of everyday life.
Making Palmolive 3,000
Years Ago (1920) by the Hungarian-born artist Willy Pogany
(1882-1955). Pogany was a prolific illustrator of children's,
magazines, further he did advertising and murals.
Bacchanal (1890) by the
Croation painter Mato Celestin Medović (1857-1893). A well done
painting about roman decadence. This subject was very popular in the
late 19th century.
An illustration by the
French artist Paul Lehugeur (1854-1932?) for “Histoire de France en
cent tableaux”, Paris, 1886. There is the Gaul chieftain Brennus
weighing the Roman ransom money in 387 BC. According to Livy, during
a dispute over the weights used to measure the gold, Brennus threw
his sword onto the scales and uttered the famous words "Vae
victis!", which translates to "woe to the conquered!"
Le droit du
Seigneur (1874) by the Russian painter Vasily Dmitrievich Polenov
(1844-1927). It's highly probale that this medieval right ever
existed. Nevertheless the artist made up a real spectacle where an
old man brings his young daughters to their feudal lord.
The Discovery of Chile
by Diego de Almagro (1913) by the Chilean painter Pedro Subercaseaux
Errázuriz (1880-1956). This event is sometimes considered as the
foundation of Chile. To celebrate it this mural decorates the walls
of the former National Congress of Chile in Santiago.
Marshal Jean Lannes
wounded at the battle of Essling by the French painter Paul-Emile
Boutigny (1853-1929).Lannes was one of
Napoleon's most daring and talented generals an a personal friend of
the emperor. In the bloody battle of Aspern-Essling he was mortally
wounded.
The capitulation of
Granada, Boabdil confronts Ferdinand and Isabella (1882) by the
Spanish artist Francisco Pradilla y Ortiz (1848-1921). The painting
of this important event decorates know the Palace of the The Senate
of Spain in Madrid.
Queen
Elizabeth and the Earl of Leicester (1865) by the British painter
William Frederick Yeames (1835-1918). Yeames preferred
these idyllic scenes from the good old times.
The Harem Guard by the
Czech painter Rudolf Weisse (1869-1930). Despite it's not a decidedly
history painting the whole oriental exotic setting suggests a far
away place even in history.
History painting dates back to the Renaissance and was long considered to be the "grand genre". Nevertheless it has its peak in the 19th century forged by Neoclassicism and Romanticism. There it became the artistic contribution in the process of the construction of National Identities of the European and American nations.
At the same time history painting under the influence of historism pretended to be "realistic", to show history how it has been. Above all it was this pretension that led to the great failure of History painting AND Realism at the end of the century.
When artists and their public realized that telling history always will be subjective and a painting will always be an illusion Realism and history painting lost their ground to modern painting.