Another Waterloo battle
scene by the French battle painter Joseph Louis Hippolyte Bellange
(1800-1866). An old greandier tries to comfort a dying comrade.
The Massacre of the
Abencerrages (1874) by the French painter Georges Jules Victor
Clairin (1843-1919). The cruel subject is taken from Chateaubriand's
Aventures du dernier Abencérage (1826)i.e. Boabdil, the last king of
Granada. Boabdil lured the rival tribe of the Abencerrages in the
Alhambra, where all were slaughtered. The legend says that the
fountain flowed not with water but with blood.
After the battle of
Fýrisvellir (1888) by the Swedish painter Mårten Eskil Winge
(1825-1896). In the battle of Fýrisvellir the Swedes repelled an
army of Nordic invaders. Though it's a great nation victory it's
interesting that Winge didn't paint the great heroic deeds but the
contemplative moments after the battle
Mermaids' Rock (c.1894)
by the British painter Edward Matthew Hale (1852-1924). Interesting
is that sirens and mermaids where normally painted in a classical
Greek context. Hale preferred here some Vikings or Celts meaning his
own British ancestors.
The Surrender of Acre
by the French painter Merry-Joseph Blondel
(1781-1853). The most important victory of the Third Crusade. Here
the Muslim garrison surrenders to the French king Philip Augustus and
the English king Richard I. Another piece for the Crusader Gallery
in the National Museum in Versailles.
Hochkirch by the German
realist painter Adolf von Menzel. (1815-1905).
Menzel shows here the inferno of a battle. Men are struggling to move
forward, they are afraid. There is no dumb heroism.
Eruption of Vesuvius by
the English painter John Martin (1789-1854). Martin specialized in
dramatic natural disasters and presented his paintings as a kind of
pre-cinema.
The phalanx attacking
the centre in the battle of the Hydaspes book illustation by the
French artist and engraver André Castaigne (1861-1929). Despite that
the Macedonian phalanx attacked with the sarissa a 4 to 7 meterlong
pike Castaigne depicts them here attacking with the sword because of
the better dramatic effect.
The Battle of Castillon by
the French painter Charles-Philippe Larivière (1798-1876). The
Battle of Castillon (July 1453) in Gascony was the last and decisive
French victory and marked the end of the Hundred Years' War.
Larivière shows here the death of the English commander John Talbot,
Earl of Shrewsbury.
Hus at Constance (1842)
by the German romantic painter Carl Friedrich Lessing (1808-80). The
German protestant shows here Hus as a kind of forefather of Luther
defying the clergy who will burn him.
The Death of Ravana
King of Lanka (1875) by the French painter Fernand-Anne Piestre
Cormon (1845-1924). Ravana is the villain in the Hindu epic Ramayana
where he kidnaps Rama's wife. Cormon depicts him like an ancient
warrior king mourned by his wifes.
History painting dates back to the Renaissance and was long considered to be the "grand genre". Nevertheless it has its peak in the 19th century forged by Neoclassicism and Romanticism. There it became the artistic contribution in the process of the construction of National Identities of the European and American nations.
At the same time history painting under the influence of historism pretended to be "realistic", to show history how it has been. Above all it was this pretension that led to the great failure of History painting AND Realism at the end of the century.
When artists and their public realized that telling history always will be subjective and a painting will always be an illusion Realism and history painting lost their ground to modern painting.