Richard I the Lionheart
(1841) by the French Neoclassical painter Merry-Joseph Blondel
(1781-1853). Blondel was a student of Jean-Baptiste Regnault and did
a whole series of famous crusaders such as Richard the Lionheart,
Raymond IV de Toulouse, Jean de Joinville and others for the Crusader
Gallery in the National Museum in Versailles.
Thursday, February 27, 2014
Friday, February 21, 2014
Cannon Fodder
Sir John Falstaff
Reviews His Ragged Regiment (1859) by the English artist Sir John
Gilbert (1817–1897). Falstaff in front of his infamous "shadows",
non-existent or disabled soldiers for whom the commanding officer
receives pay. Recruiting is here a business with the only purpose to
make money. In a very modern way Falstaff refers to his men: "Now,
now: they’re good enough to die. Cannon fodder, cannon
fodder—they’ll fill a mass grave as well as better men would."
Saturday, February 15, 2014
Heroic Hokum
The Capture of Malta in
1530 by Philippe Villiers de L'Isle-Adam, Grand Master of the Order
of Knights Hospitaller, (1839) by the French painter René Théodore
Berthon (1776–1859). Despite of the name of the painting Malta
wasn't captured but given to Knights Hospitaller in by 1530 Emperor
Charles V after they lost Rhodes. So it's evidently a kind of heroic
hokum.
Saturday, February 8, 2014
On the Way to Execution
The State Barge of
Cardinal Richelieu on the Rhone (1829) by the French history painter
Hippolyte Delaroche (1797-1856). The painting shows Richelieu his
barge, preceding the boat carrying Cinq-Mars and De Thou carried to
their execution. It's the heyday of Richelieu's power he defeated two
of his most powerful opponents, but he will die in the same year
(1642) and is already marked by death.
Sunday, February 2, 2014
Pre CinemaScope Ben-Hur
The Chariot Race (1873)
by the Hungarian painter Alexander originally Sándor von Wagner
(1838- 919). Wagner was a student of the famous Karl von Piloty and
became later himself a professor in history painting at the Munich
Academy.
His most famous work is
Chariot Race, which he painted for the Vienna Exposition (1873). The
painting depicts the close of a chariot race in the Circus Maximus in
Ancient Rome, presided over by Emperor Domitian. Chariot Race was
completed in 1882 just two years after the publication of Ben-Hur.